"Yes, that's what I understood from you at Ricks," said Fleda; "but I haven't repeated it to your mother." She had hated, at Ricks, to talk with him about Mona, but now that scruple was swept away. If he could speak of Mona's visit as fatal, she need at least not pretend not to notice it. It made all the difference that she had tried to assist him and had failed: to give him any faith in her service she must give him all her reasons but one. She must give him, in other words, with a corresponding omission, all Mrs. Gereth's. "You can easily see that, as she dislikes your marriage, anything that may seem to make it less certain works in her favor. Without my telling her, she has suspicions and views that are simply suggested by your delay. Therefore it didn't seem to me right to make them worse. By holding off long enough, she thinks she may put an end to your engagement. If Mona's waiting, she believes she may at last tire Mona out." That, in all conscience, Fleda felt was lucid enough. "Never mind how I feel, and never mind what I say when I'm furious!" Mrs. Gereth still more incisively added. "Of course I cling to you, you wretches, or I shouldn't suffer as I do. What I want of him is to see that he takes you; what I want of him is to go with you myself to the place." She looked round the room as if, in feverish haste, for a mantle to catch up; she bustled to the window as if to spy out a cab: she would allow half an hour for the job. Already in her bonnet, she had snatched from the sofa a garment for the street: she jerked it on as she came back. "Find him, find him," she repeated; "come straight out with me, to try, at least, to get at him!"!

They still stood where they had met. Fleda's instinct was to keep him there; the more so that she could already see him take for granted that they would immediately proceed together to her door. He rose before her with a different air: he looked less ruffled and bruised than he had done at Ricks, he showed a recovered freshness. Perhaps, however, this was only because she had scarcely seen him at all as yet in London form, as he would have called it—"turned out" as he was turned out in town. In the country, heated with the chase and splashed with the mire, he had always rather reminded her of a picturesque peasant in national costume. This costume, as Owen wore it, varied from day to day; it was as copious as the wardrobe of an actor; but it never failed of suggestions of the earth and the weather, the hedges and the ditches, the beasts and the birds. There had been days when it struck her as all nature in one pair of boots. It didn't make him now another person that he was delicately dressed, shining and splendid—that he had a higher hat and light gloves with black seams, and a spearlike umbrella; but it made him, she soon decided, really handsomer, and that in turn gave him—for she never could think of him, or indeed of some other things, without the aid of his vocabulary—a tremendous pull. Yes, this was for the moment, as he looked at her, the great fact of their situation—his pull was tremendous. She tried to keep the acknowledgement of it from trembling in her voice as she said to him with more surprise than she really felt: "You've then reopened relations with her?" "She abused you, and I defended you. She denounced you—"

"Isn't it there, when he's in town, that he has a room? He has at present no other London address," Fleda said: "it's there one writes to him." "And do you mean, as it is, that she'll prevent him?" Mona Brigstock, between these ladies, was now nothing but "she." "We're together, we're together," Mrs. Gereth lifelessly repeated. "That's all we are now; it's all we have." The words brought to Fleda a sudden vision of the empty little house at Ricks; such a vision might also have been what her companion found in the face of the stopped Dutch clock. Yet with this it was clear that she would now show no bitterness: she had done with that, had given the last drop to those horrible hours in London. No passion even was left to her, and her forbearance only added to the force with which she represented the final vanity of everything.